The "Marvellous City" welcomes digital nomads

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  Rio de Janeiro, a colourful urban sprawl divided by forest-covered mountains and edged by golden coastlines, has long seduced international tourists with its samba-fuelled nights and spectacular landscapes. Now, the "Marvellous City", as it's known by Brazilians, is enticing a new type of traveller with its   Digital Nomad Visa , which was launched across the country   last year https://gamerplayz2k.mn.co/posts/35510729 https://a-d-n.mn.co/posts/35510843 https://coco-quinn.mn.co/posts/35511066 https://hempconnector.mn.co/posts/35513113 https://viewfromabove.mn.co/posts/35513276 https://www.zenistu.com/2023/04/how-to-backup-and-restore-netgear-range.html https://technodivers.com/how-to-stop-netgear-genie-that-keeps-coming/ The local government has been pushing ahead with investments to make the city increasingly suitable for remote workers, including improving connectivity with citywide 5G coverage. An emerging coffeehouse scene also brings new working spots and a digita...

Beyoncé album Renaissance a dance

 Beyoncé's first solo album in six years will have fans heading to the dance floor, according to critics.

Renaissance has been described as having "fierce club energy", "a joyous soundtrack to a hot girl summer" and being an "endless party".


The Telegraph predicted it "will be filling dance floors for years to come".

Writer James Hall says it is "a tribute to two forms of music: late-1980s and early-1990s house, and disco.

Thanking fans for not listening to a leaked version, Beyoncé wrote online: "I appreciate you for calling out anyone that was trying to sneak into the club early.

"It means the world to me. Thank you for your unwavering support. Thank you for being patient."


https://www.vingle.net/posts/4538199



The Guardian gave the track list of 16 songs four out of five stars, describing it as "unapologetically escapist" where the singer "unleashes everything from disco bangers to global house hedonism".


Tara Joshi wrote: "Beyoncé was never going to make a corny 'live, laugh, love' record, and her rebirth finds her in the role of siren luring us to the dancefloor.


"It's a celebration of living abundantly and outside the realms of others' expectations, and acts as a reminder of how rare it is to witness this hyper-disciplined artist simply having fun on her own terms. "


However, Joshi believes the release "falls short of being Beyoncé's best full-length".


Pitchfork's Dylan Green claims it's "the most unabashedly fun new Beyoncé record since 2006's B-Day".


He describes Beyoncé as "one of the only living musicians who can stop the world with new music" who has put out an album with a "staggering amount of talent in one place" - referring to collaborations with Grace Jones, Skrillex and Drake.


"Her chants of 'the category is…' and other language used within ball culture and queer communities also stand out in the music," he wrote.


"Dance music of all stripes was built by queer artists, and that history hovers through."


Beyoncé, Drake and the revival of 90s house music

Why the Church of England co-owns a Beyoncé hit

Renaissance is the first instalment of a three-album project recorded during the pandemic.


"Creating this album allowed me a place to dream and to find escape during a scary time for the world," Beyoncé wrote on Instagram.


"It allowed me to feel free and adventurous in a time when little else was moving".

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